Wednesday, November 19, 2008 

The Complete Monterey Pop Festival - Criterion Collection - is Here!

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The Complete Monterey Pop Festival - Criterion Collection A unique,,one of a kind movie! Both Jimi Hendrix and Noel Redding has earned overwhelmingly positive reviews and is considered by many to be one of the best films of the year! Maybe that's what makes the movie so good.The great cast includes Jimi Hendrix, Noel Redding, Mitch Mitchell (II), John Phillips (II), Charles Shaar Murray. The movie moves on like a dream and end leaving you wanting for more.

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If you love watching Jimi Hendrix or Noel Redding, you are deffinetly going to want to watch The Complete Monterey Pop Festival - Criterion Collection.

DISC ONE: "Monterey Pop" New high-definition digital transfer, supervised by D.A. Pennebaker. New 5.1 mix by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary by Festival producer Lou Adler and D.A. Pennebaker. New video interview with Lou Adler and D.A. Pennebaker. Audio interviews with Festival producer John Phillips, Festival publicist Derek Taylor, and performers Cass Elliot and David Crosby. Photo essay by photographer Elaine Mayes. Original theatrical trailer. Orginal theatrical radio spots. Monterey Pop scrapbook. Optimal image quality: RSDL dual-layer edition.

DISC TWO: "Jimi Plays Monterey" and "Shake! Otis at Monterey" New high-definition digital transfers, supervised by D.A. Pennebaker. New 5.1 mixes by legendary recording engineer Eddie Kramer, presented in Dolby Digital and DTS. Audio commentary on Jimi Plays Monterey by music critic and historian Charles Shaar Murray. Two audio commentaries on Shake! by music critic and historian Peter Guralnick: the first on Otis Redding's Monterey performance, song by song; the second on Redding before and after Monterey. Interview with Phil Walden, Otis Redding's manager from 1959 to 1967. Original theatrical trailer for Jimi Plays Monterey. Video excerpt: Pete Townshend on Monterey and Jimi Hendrix. Optimal image quality: RSDL dual-layer edition

DISC THREE: "Monterey Pop -- The Outtake Performance" Two hours of performances not included in the original film, from the following artists: Buffalo Springfield performing "For What It's Worth, " The Association, Big Brother and the Holding Company, The Blues Project, The Byrds, The Paul Butterfield Blues Band, Country Joe and the Fish, The Electric Flag, Jefferson Airplane, Al Kooper, The Mamas and the Papas, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and The Who.

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The Color of Money - Unlimited Movie Downloads

The Color of Money To begin, this movie has a great beginning; it pulled me right into it.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The action scenes are really great. Robert Agins played his role great. Alvin Anastasia actually caught my interest.

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If you love watching Robert Agins or Alvin Anastasia, you are deffinetly going to want to watch The Color of Money.

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Martin Scorsese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented protg (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorsese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh

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